Here’s some lovely pictures of S.E.H Kelly’s beautiful Two-way Irish Linen jacket from Japanese retailer Acoustics. The fabric choice makes this a stand-out piece for Summer – a wonderful Irish Herringbone Linen – laundered by S.E.H Kelly for a nicely crumpled and worn-in look. The jacket is reversible, with different pocket detailing on either side making this feel very much like two different jackets for the price of one. The lighter side features odd pockets (one of which is generously A4 sized – the detail which sold this piece to me) and the darker side features a breast patch pocket. Both sides feature comfortable handwarmer pockets. Already available in store at S.E.H Kelly, and arriving online very soon.
Mr. Suzuki loves a detail, and he’s packed a lot into this seemingly simple field jacket from Engineered Garments SS13 collection. Amongst many details of the High Count 60/40 Field Jacket are a detachable hood, a wrap around game pocket, a zippered skirt (to extend the length of the jacket), throat tab, umpteen pockets, reinforced elbows, and (what I like to think is…) a Binoculars chest tab (although I’m almost certainly wrong). I’ve rarely been tempted by a summer parka (my only other one is an Engineered Garments field parka from years back), but this new addition has got me staring down my credit card. Also check out Engineered Garments Japanese blog for a wealth of detail shots.
As the expected Spring Summer flush of on-trend floral patterns – both big and small – washes in to stores, one brand that continues to march to the beat of it’s own drum is Drakes of London. Yes, once again Drakes turns up to the party with a plethora of unexpected and unusual patterns; from the audaciously geometric to the eccentrically pictorial. Here’s a selection of my favourite patterned pocket squares they have on offer at the moment. I have a particular hankering (pun unashamedly intended) for both ‘Deco’ prints; they’re just swell. I urge you to cast surf culture aside this Summer and smash some left field patterning in to your breast pocket.
If anyone is interested in looking at pictures of how proper grown ups dress, head on over to The Armoury’s Lightbox Tumblr for a visual masterclass. I’ve pretty much lost my entire Saturday morning over there. Gentin’ of the highest order.
Curated by Douglas Gunn and Roy Luckett, proprietors of Seven Dials’ Vintage Showroom, this book is an essential purchase for any vintage #menswear and outerwear enthusiast. The book collates an impressive collection of early to mid-twentieth century garb divided into three sections: Sports & Leisure, Military, and Workwear.
There are some amazing pieces here to peruse and they’re all taken from the authors’ vast archive of vintage garments situated in their Notting Hill and Covent Garden showrooms. The pair started the Vintage Showroom in 2007 and it now provides an indispensable resource for fashion designers, stylists, and other creative teams.
Any Cabourn enthusiasts will spot many garments here referenced by Nigel (some faithfully reproduced). Snow smocks, RAF Parkas, and Fireman coats are all here and even the inspiration behind Nigel’s Viberg ‘Arrow’ boots gets a fascinating spread which details the meaning of the arrow (an icon used to denote ‘Government Property’).
Every item featured is outlined and detailed and most feature a brief historical background and raison d’être. It’s the visual reference that’s the main draw though. Every garment is lovingly documented with nice large imagery to pore over and examine. A highly recommended read.
I thought I’d start this year by making a post about a subject closest to the heart of this blog: enduring quality. Tried and tested clothing. The majority of the garments featured have been worn week in, week out in the autumn and winter months for the best part of six years.
The pieces here are what I’d regard as ‘timeless’; a term thrown around far too frequently in the menswear field in the last few years. It’s hard to find contemporary makers that will deliver on that word, but the brands featured here I feel have offered it over the course of their existence. For me, ‘timeless’ is about the right size of lapel. The right depth of collar. The right cut of shirt to suit the style of shirt. The right choice of materials to suit the piece. The fit that is fitted. Not skinny. Not baggy. The pattern that is always relevant. The right width of tie. Never too far in fashion, but never too far out. ‘Timeless’ walks the line.
Many of the items below are still made today in varying forms. Many have been developed and improved upon since I purchased mine. Which is another quality I love of the brands featured here. No dramatic changes or redevelopments, but incremental improvements and tinkering, each season, all in the pursuit of making something better; not more fashionable.
So I guess think of this as a tried and tested recommendation list. I’d love to know people out there are getting the same amount of joy out of this garb as I have over the years.
Engineered Garments Bedford Jacket
I purchased this on holiday in NYC in 2007 and it has scarcely been off my back since. I own two other Bedford jackets for Summer, but I’ve never bought another for Winter as this is so versatile. It can be dressed up or down: super casual and warm with a hoody underneath or nicely formal with a shirt and tie. With four patch pockets on the front, a single vent, and useful internal pockets, it’s one of Engineered Garments most practical, but simple jackets. The Melton wool on this version – a fabric Daiki Suzuki is always revisiting – is such a forgiving and durable cloth that it is yet to show any real signs of wear. This one is also special for me as he included leather elbow patches on this version, which to my mind, he hasn’t done since on this model of jacket. Daiki has produced some outstanding jackets for both Engineered Garments and Woolrich Woollen Mills, but I regard this as one of his finest moments. There are new versions every season and some are in the sales now.
Nigel Cabourn Authentic Four Pocket Vest
This is perhaps my most worn garment over Autumn and Winter. It was included in Nigel Cabourn’s first Limited Edition collection and has consistently reappeared in the authentic line since, although in many different materials and colours. Along with his Cameraman jacket I’d also say it’s one his most copied pieces. It’s an extremely useful layer that can look as good with a plaid Workshirt as it can with a BD Oxford shirt and tie. Superdenim currently have some of the latest versions on sale here.
Engineered Garments Workshirt
Arguably the cornerstone of Engineered Garments shirting and perhaps Daiki’s most referential piece, this shirt features every season in many different materials and patterns and always in a selection of chambray. The fit can change slightly depending on material and season, but it always features the same tough chain stitch construction, pockets based on a vintage Reliance Big Yank Cigarette Pocket shirt, and the iconic use of an odd cat’s eye button for the last fastening on the placket. Another nice detail is the choice of contrasting colour for the placket trim. This particular shirt was the first Engineered Garments piece I ever bought and it’s probably seen more wear than any other item in this list as its worn all year round. It has accompanied me on many hikes as well as day to day wear too. It’s robust and tough and after nearly six years it’s showing no signs of wear, tears, or fraying. It just gets comfier.
Engineered Garments Workaday 19th Century BD Shirt
The Engineered Garments 19th Century BD shirt is my absolute favourite shirt. It’s pattern is taken from a vintage Gitman shirt and is very similar in style to a modern Gitman shirt, but with the addition of large curved overlapping plackets; a detail that really sets it apart. Daiki exercises some of his more playful fabric choices on this piece from season to season in the main E.G. line.
You can read in further detail about this shirt here. The one pictured here is from the Workaday line and is made in classic Oxford stripe. As with many items here it gets dressed up and down. Casually, it looks great untucked, showing off the odd plackets; formally, it looks great tucked in as the curved placket stops the shirt from splaying open at the waist line. It’s all about the details with this piece.
Engineered Garments Workaday Fatigue Pants
These are a pretty new addition to my wardrobe, but have already become a regular wear for me. These are fairly loose fitting and in a great colour. They’re always in the Workaday line and feature each season in the E.G. mainline, but in differing cuts and fabrics. The fabric here is reverse sateen and is nice and hard wearing. These are a great alternative to regular jeans, trousers, and chinos, but their simplicity also keeps them nicely away from the combat pant. I like to often wear these with a shirt and tie for that ‘business up top, but me legs are already in the weekend’ look.
Woolrich Woollen Mills Upland BD Shirt
Sadly, this is the only garment here that’s no longer readily available although a few keep popping up on Yoox at good prices. This was Daiki’s second attempt at this shirt; the first version (which I have, but don’t wear nearly as much) didn’t feature the iconic billowing chest pocket that this version has and was made in a heavier, but less appealing chambray. For me this shirt epitomised Daiki’s approach to his WWM collections: outdoor pursuits meets the classic and wearable. Reinforced shoulder detailing and elbows give this a hardy feel, while the button down collar makes it feels a touch more classic, striking a nice balance between casually smart and relaxed workwear. Along with the Workshirt here, this is my most heavily worn and washed shirt as it’s another great garment for all year round. It’s wearing nicely now with the chambray fading like denim around the collars and cuffs. I’d certainly recommend trying to get your hands on one as it will do you proud for many years.
Nigel Cabourn Mainline U.S. Clip Jacket (pictured right)
A constant in the Nigel Cabourn Mainline collection (made in Japan), I struggle to recommend this due to it’s absurd overpricing, but it’s worth hunting around for one in the sales and on eBay because it is an incredibly constructed super versatile piece. I managed to pick up a half price sample version in Present some years ago and it’s proved to be an indispensable layering piece ever since. Based on a U.S Gym/training jacket it features a breast pocket and two hand pockets. This simple and useful jacket is given that Cabourn twist with the addition of the metal clip fastenings that have become somewhat of a signature for Nigel. Versions have definitely improved since I purchased mine with a higher grade clip fastening now on the jacket (same as the Cameraman jacket). There’s many replicas of this jacket around (most notably Heritage Research’s USN clip jacket), but if you’re going to buy one, don’t get the poor man’s version, hunt around for Cabourn. It’s worth the time.
Nigel Cabourn Authentic Cameraman Jacket (pictured left)
I’m yet to see a parka I love more than Nigel Cabourn’s iconic and mighty Cameraman Jacket. I was first shown it in Oi Polloi years ago and I was utterly blown away by the details. The jacket features a marriage of two of Britain’s most celebrated and cherished fabrics – Mackintosh and Harris Tweed – and includes Nigel’s signature clip fastening on the upper portion. Appearing every season in the Authentic line since it was launched as part of the Limited Edition collection, this is quite possibly the most copied jacket of the last decade of menswear. Many have had a pop, but all have completely failed to understand what makes this jacket: the quality materials and the build. It doesn’t feel like you’re putting on a jacket; the Mackintosh makes it feel like you’re getting into a protective shell. It’s featured in other fabrics down the years including summer versions in Beeswax cotton and linen. If you’re going to get one, please don’t buy them at the extortionate full price. They always make it to the sales every season. You may have noted I have a problem with Nigel’s pricing. While his clothes are among some of the most exceptionally constructed I have seen, they are not worth the money – unless you’re having a completely bespoke suit made to your own specifications by a team of highly skilled individuals – no clothes are! Hit the sales for this stuff.
A.P.C. New (& Old) Standards
Like fine wine, you can go crazy with denim. But my own sensibilities do not carry me far enough into that world and I’m happy not to go there, because quite frankly; I can’t taste the difference. Denim is the work horse of the casual man’s wardrobe and in my opinion should be purchased, worn, and washed as such. I currently have four pairs of New Standards in rotation. Photographed here is my latest pair and my second pair, now a good five years old. All four still get regular wear. These jeans are decent denim, at a decent price. Simple and classic, they remain an amazing colour throughout their tenure; from their bluey grey beginnings to their stone washed end. And I can’t argue with half a decade (plus) of constant wear. All still going strong.
Steven Alan Woolrich Plaid Tie
I probably wouldn’t buy a Steven Alan tie anymore as I deem them a little too slim nowadays, but this purchase from a few years ago is just about my most worn tie and I still wear it with monotonous regularity. And it’s all down to the material. The Woolrich fabric used on this tie is just about the most versatile plaid I’ve seen as it seems to be able to slot into just about any outfit with ease. I buy ties from Engineered Garments and Drakes now as the quality and shape is perfect, but I wanted to include this piece as its just been so good down the years. Subtle pattern and texture is what I’ve looked for in a tie ever since I realised exactly why I like this one so much.
Trickers Stow Boots
The classic English country boot; Tricker’s Stow. This is a colour that goes with just about everything, a commando sole that will tackle just about anything, in a style that looks appropriate just about anywhere. The scotch grain adds an aesthetic hardiness to the already tough calfskin and does well to hide many creases that would be showing up a lot more prominently on smooth leather. Going on four years with a lot of wear these need a minimal amount of looking after as this colour and finish seems to hold its shine so well. If I had to reduce my shoe collection down to one choice for winter, this would be that choice. I’d always visit Richard at The Shoe Healer for my Tricker’s these days. Even at full price these are worth every penny.
David Hockney has always been a hero of mine. I first saw his work at Salts Mill in Bradford around the age of 13. Among the overpowering scent of Lillies was an eclectic body of work ranging from the exquisitely observed and masterfully drawn, to the naively and graphically painted, via boundary pushing photo montages. Here was an artist who could seemingly do it all, who attacked every medium with creative vigour and excitement.
The thing that I fell in love with most about Hockney’s work is that once you’ve witnessed his incredible technical ability you know from that point on anything you see is exactly how he wanted you to see it. If a painting is childishly executed it’s because that’s how he wanted to convey it to you. His work is a total window into his imagination because he can realise his imagination physically. He isn’t capped by his ability. Experiencing the work at Salts Mill and my introduction to pop art at that age definitely helped form my own graphic eye and helped set the course for an interest in graphic design.
In later years as my interest in clothing and dressing has grown I’ve been inspired by another example of Hockney’s creative eye; his wardrobe. On his person Hockney wears clothes that are totally in tune with his art. In his prime his combinations of clothing were a saturated version of everyday colours and patterns. A pin stripe, but a super pinstripe. Not a soft blue but a candy pink. Normal, but the exaggerated version of it. In the 60s and 70s this approach was supercharged.
For me, his dress sense was in its prime in the eighties. He’d hit his stride. Long gone were the days of the try hard 70s, where proving your sartorial expertise and taste was to wear everything at once. No need to peacock anymore in the 80s. The glasses were still statemental and iconic, but more refined than the chunky rims that had overlapped his face in the sixties and seventies when he was developing his voice and identity. The classic British sartorial eccentricity is displayed in my favourite picture of him that leads this article – red socks and patterned slippers start the party while up top horizontal and vertical stripes put him at risk of looking like an optical illusion. The pastel blue cardigan could be one colour too many, but Hockney’s relaxed confidence puts it all at ease. An outfit that feels ‘thrown on’ by someone with a great instinct for colour and pattern. Effortless.
On to his later years and the harsh frames have been sacked, but my memory of them puts them on his face regardless. The power of such an iconic look. As an old man with nothing left to prove there’s little need to try too hard anymore. Echoes of his sartorial flair are present in carnation button holes and patterned braces, but there’s no time to worry himself too much about dressing when there’s so much painting to do and new techniques to embrace before his age catches up with him. Painting in fine suits has rarely looked more comfortable.
One of the reasons I like Hockney’s wardrobe and dress sense so much is that its always reflected him and where he is in his life. He dresses to suit his age and experience without ever losing his sartorial flair. It’s an outward reflection of his personality by an artist who’s always worn his imagination on his sleeve.
Here are three books I’ve been enjoying over the last few weeks and I wanted to share with you. The first is Alastair Morton & Edinburgh Weavers by Lesley Jackson, a book I spotted not long ago in Margaret Howell’s Wigmore St Store (but purchased at a realistic price from Amazon).
The book is a huge retrospective of the Edinburgh Weavers iconic textiles work drawing mainly from the V&A’s extensive archive and it features a vast collection of Alastair Morton’s artworks and textile designs as well as work from the artists he commissioned as Edinburgh Weavers art director including; Lucienne Day, Barbara Hepworth, Elisabeth Frink, and Ben Nicholson to name but a few.
Icons of Men’s Style takes a look at some of the iconic menswear garments, footwear, and accessories of the twentieth century and offers a good overview and history of each piece as well as looking at some of the well known faces who brought many of the items to the public eye. It merely skims the surface of many of the garment’s histories and functions, but it’s nice to see a book that brings so much of this casual and formal wear to one place. Everything from the Duffle Coat to the Hawaiin shirt is covered here. It’s also filled with lots of great vintage adverts for many of the featured brands.
Back once again with the Yuketen Sandals. The Semi Chukkas to be precise. Walking a fine line somewhere between Maximus Meridius, The Dude, and Forest Gump, these good time sandals are my choice for summertime meandering. This pair were purchased from the very helpful folks at Denmark’s Støy Munkholm who are the only European retailer carrying these Yuketen models (the rest having all gone to the Asian market). They have both styles available on their online store. You should also check this beautifully presented video giving a tour of Støy Munkholm’s store in Aarhus. I’m going to be sure to check it out if I ever find myself in that part of the world.
Back to the sandals and I went for the Semi Chukka in the end as they looked a little more robust than the Braided style. Interestingly Yuketen are very clear to point out that these styles are made by artisans in Mexico. I know they produce a few styles in Mexico including their very premium Cordovan Longwings Brogues (Goodyear welted leather sole with stunning allover brogue patterning) and it resonates with me as a customer that they are so proud and transparent about their places of production despite a consumer stigma aimed toward various countries. They would not produce anything there unless it absolutely met their exacting standards. Yet another reason I really believe in Yuketen as a brand. All I need now is for Summer to turn up so I can finally break them out proper.