Earlier this year The Bureau got a good update of E.G. Workaday stuff in, with a couple of new styles added to the offering. I made a few purchases from the selection; the Lafayette shirt, the Everyday shirt, and the crossing crew tee, which for the most part has been my uniform all summer. The Everyday shirt, pictured above, has become one of my favourite E.G. shirts. It’s a stripped back version of the mainline Workshirt, with simple chest pockets rather than the mismatched button pockets of the original. The indigo denim is washing really well and has started to get a nice fade on it. I’m also looking forward to picking up some of the more colourful chambray versions on offer sometime in the future.
I’ve been quietly enjoying the development of orSlow over the past few seasons and it has been nice to see a few UK stores offer a more rounded collection this season. The Bureau Belfast bagged some of the strongest pieces with the Type 1 Blouson, Climbing Pants, and check scarves being particularly noteworthy. The quality of the fabrics, unusual vintage shapes, and beautiful details are really setting the brand apart from other offers at the moment.
I rarely get excited by denim. I understand what the fuss is about, but I would rather focus energies on other parts of my wardrobe – mainly shoes – and choose simple denim in a classic cut that I know can go the rounds and won’t cost the earth. That said, The Bureau’s latest drop from Japanese denim aficionados orSlow got me pretty excited. I don’t normally go for stonewashed denim (I prefer to make it ‘stone washed’ myself through wear and laundering), but as it takes on average 3 or 4 years to get my New Standards in to this shape, I’m becoming increasingly willing to take a short cut. The ‘2 year wash jean’ looks absolutely perfect, and unlike my New Standards which are just about shot at the ‘stonewashed’ phase, these will be stonewashed at the start of their journey. The US Navy Utility pant in a lighter weight denim also looks a treat for Summer too.
I thought I’d start this year by making a post about a subject closest to the heart of this blog: enduring quality. Tried and tested clothing. The majority of the garments featured have been worn week in, week out in the autumn and winter months for the best part of six years.
The pieces here are what I’d regard as ‘timeless’; a term thrown around far too frequently in the menswear field in the last few years. It’s hard to find contemporary makers that will deliver on that word, but the brands featured here I feel have offered it over the course of their existence. For me, ‘timeless’ is about the right size of lapel. The right depth of collar. The right cut of shirt to suit the style of shirt. The right choice of materials to suit the piece. The fit that is fitted. Not skinny. Not baggy. The pattern that is always relevant. The right width of tie. Never too far in fashion, but never too far out. ‘Timeless’ walks the line.
Many of the items below are still made today in varying forms. Many have been developed and improved upon since I purchased mine. Which is another quality I love of the brands featured here. No dramatic changes or redevelopments, but incremental improvements and tinkering, each season, all in the pursuit of making something better; not more fashionable.
So I guess think of this as a tried and tested recommendation list. I’d love to know people out there are getting the same amount of joy out of this garb as I have over the years.
Engineered Garments Bedford Jacket
I purchased this on holiday in NYC in 2007 and it has scarcely been off my back since. I own two other Bedford jackets for Summer, but I’ve never bought another for Winter as this is so versatile. It can be dressed up or down: super casual and warm with a hoody underneath or nicely formal with a shirt and tie. With four patch pockets on the front, a single vent, and useful internal pockets, it’s one of Engineered Garments most practical, but simple jackets. The Melton wool on this version – a fabric Daiki Suzuki is always revisiting – is such a forgiving and durable cloth that it is yet to show any real signs of wear. This one is also special for me as he included leather elbow patches on this version, which to my mind, he hasn’t done since on this model of jacket. Daiki has produced some outstanding jackets for both Engineered Garments and Woolrich Woollen Mills, but I regard this as one of his finest moments. There are new versions every season and some are in the sales now.
Nigel Cabourn Authentic Four Pocket Vest
This is perhaps my most worn garment over Autumn and Winter. It was included in Nigel Cabourn’s first Limited Edition collection and has consistently reappeared in the authentic line since, although in many different materials and colours. Along with his Cameraman jacket I’d also say it’s one his most copied pieces. It’s an extremely useful layer that can look as good with a plaid Workshirt as it can with a BD Oxford shirt and tie. Superdenim currently have some of the latest versions on sale here.
Engineered Garments Workshirt
Arguably the cornerstone of Engineered Garments shirting and perhaps Daiki’s most referential piece, this shirt features every season in many different materials and patterns and always in a selection of chambray. The fit can change slightly depending on material and season, but it always features the same tough chain stitch construction, pockets based on a vintage Reliance Big Yank Cigarette Pocket shirt, and the iconic use of an odd cat’s eye button for the last fastening on the placket. Another nice detail is the choice of contrasting colour for the placket trim. This particular shirt was the first Engineered Garments piece I ever bought and it’s probably seen more wear than any other item in this list as its worn all year round. It has accompanied me on many hikes as well as day to day wear too. It’s robust and tough and after nearly six years it’s showing no signs of wear, tears, or fraying. It just gets comfier.
Engineered Garments Workaday 19th Century BD Shirt
The Engineered Garments 19th Century BD shirt is my absolute favourite shirt. It’s pattern is taken from a vintage Gitman shirt and is very similar in style to a modern Gitman shirt, but with the addition of large curved overlapping plackets; a detail that really sets it apart. Daiki exercises some of his more playful fabric choices on this piece from season to season in the main E.G. line.
You can read in further detail about this shirt here. The one pictured here is from the Workaday line and is made in classic Oxford stripe. As with many items here it gets dressed up and down. Casually, it looks great untucked, showing off the odd plackets; formally, it looks great tucked in as the curved placket stops the shirt from splaying open at the waist line. It’s all about the details with this piece.
Engineered Garments Workaday Fatigue Pants
These are a pretty new addition to my wardrobe, but have already become a regular wear for me. These are fairly loose fitting and in a great colour. They’re always in the Workaday line and feature each season in the E.G. mainline, but in differing cuts and fabrics. The fabric here is reverse sateen and is nice and hard wearing. These are a great alternative to regular jeans, trousers, and chinos, but their simplicity also keeps them nicely away from the combat pant. I like to often wear these with a shirt and tie for that ‘business up top, but me legs are already in the weekend’ look.
Woolrich Woollen Mills Upland BD Shirt
Sadly, this is the only garment here that’s no longer readily available although a few keep popping up on Yoox at good prices. This was Daiki’s second attempt at this shirt; the first version (which I have, but don’t wear nearly as much) didn’t feature the iconic billowing chest pocket that this version has and was made in a heavier, but less appealing chambray. For me this shirt epitomised Daiki’s approach to his WWM collections: outdoor pursuits meets the classic and wearable. Reinforced shoulder detailing and elbows give this a hardy feel, while the button down collar makes it feels a touch more classic, striking a nice balance between casually smart and relaxed workwear. Along with the Workshirt here, this is my most heavily worn and washed shirt as it’s another great garment for all year round. It’s wearing nicely now with the chambray fading like denim around the collars and cuffs. I’d certainly recommend trying to get your hands on one as it will do you proud for many years.
Nigel Cabourn Mainline U.S. Clip Jacket (pictured right)
A constant in the Nigel Cabourn Mainline collection (made in Japan), I struggle to recommend this due to it’s absurd overpricing, but it’s worth hunting around for one in the sales and on eBay because it is an incredibly constructed super versatile piece. I managed to pick up a half price sample version in Present some years ago and it’s proved to be an indispensable layering piece ever since. Based on a U.S Gym/training jacket it features a breast pocket and two hand pockets. This simple and useful jacket is given that Cabourn twist with the addition of the metal clip fastenings that have become somewhat of a signature for Nigel. Versions have definitely improved since I purchased mine with a higher grade clip fastening now on the jacket (same as the Cameraman jacket). There’s many replicas of this jacket around (most notably Heritage Research’s USN clip jacket), but if you’re going to buy one, don’t get the poor man’s version, hunt around for Cabourn. It’s worth the time.
Nigel Cabourn Authentic Cameraman Jacket (pictured left)
I’m yet to see a parka I love more than Nigel Cabourn’s iconic and mighty Cameraman Jacket. I was first shown it in Oi Polloi years ago and I was utterly blown away by the details. The jacket features a marriage of two of Britain’s most celebrated and cherished fabrics – Mackintosh and Harris Tweed – and includes Nigel’s signature clip fastening on the upper portion. Appearing every season in the Authentic line since it was launched as part of the Limited Edition collection, this is quite possibly the most copied jacket of the last decade of menswear. Many have had a pop, but all have completely failed to understand what makes this jacket: the quality materials and the build. It doesn’t feel like you’re putting on a jacket; the Mackintosh makes it feel like you’re getting into a protective shell. It’s featured in other fabrics down the years including summer versions in Beeswax cotton and linen. If you’re going to get one, please don’t buy them at the extortionate full price. They always make it to the sales every season. You may have noted I have a problem with Nigel’s pricing. While his clothes are among some of the most exceptionally constructed I have seen, they are not worth the money – unless you’re having a completely bespoke suit made to your own specifications by a team of highly skilled individuals – no clothes are! Hit the sales for this stuff.
A.P.C. New (& Old) Standards
Like fine wine, you can go crazy with denim. But my own sensibilities do not carry me far enough into that world and I’m happy not to go there, because quite frankly; I can’t taste the difference. Denim is the work horse of the casual man’s wardrobe and in my opinion should be purchased, worn, and washed as such. I currently have four pairs of New Standards in rotation. Photographed here is my latest pair and my second pair, now a good five years old. All four still get regular wear. These jeans are decent denim, at a decent price. Simple and classic, they remain an amazing colour throughout their tenure; from their bluey grey beginnings to their stone washed end. And I can’t argue with half a decade (plus) of constant wear. All still going strong.
Steven Alan Woolrich Plaid Tie
I probably wouldn’t buy a Steven Alan tie anymore as I deem them a little too slim nowadays, but this purchase from a few years ago is just about my most worn tie and I still wear it with monotonous regularity. And it’s all down to the material. The Woolrich fabric used on this tie is just about the most versatile plaid I’ve seen as it seems to be able to slot into just about any outfit with ease. I buy ties from Engineered Garments and Drakes now as the quality and shape is perfect, but I wanted to include this piece as its just been so good down the years. Subtle pattern and texture is what I’ve looked for in a tie ever since I realised exactly why I like this one so much.
Trickers Stow Boots
The classic English country boot; Tricker’s Stow. This is a colour that goes with just about everything, a commando sole that will tackle just about anything, in a style that looks appropriate just about anywhere. The scotch grain adds an aesthetic hardiness to the already tough calfskin and does well to hide many creases that would be showing up a lot more prominently on smooth leather. Going on four years with a lot of wear these need a minimal amount of looking after as this colour and finish seems to hold its shine so well. If I had to reduce my shoe collection down to one choice for winter, this would be that choice. I’d always visit Richard at The Shoe Healer for my Tricker’s these days. Even at full price these are worth every penny.
Last month the better half and I decided we needed a little rest so we headed up north to Whitby in North Yorkshire. While we were there we took note of some of the older fishermen in the bay. I have always admired the traditional working-man’s practical style and often look for inspiration for my own wardrobe (Lumberjack, Cowboy and Oil Prospector are already in there). I was especially drawn to the wool jumpers a lot of the gents were wearing so I endeavoured to find out where I could purchase an authentic fisherman’s jumper.
I found an old knitting shop and decided to look in and ask about the jumpers and I was politely informed by a delightful old woman that I wasn’t looking for a ‘Jumper’ but a ‘Gansey’. The term ‘Gansey’ is derived from Guernsey, the Channel Island in which this particular style of knit originated.
So what makes a Gansey? The Gansey is a unique type of jumper traditionally worn by fishermen. They are knitted with 5 ply worsted wool in one piece with no seams. Five small double ended needles or wires are used to knit in the round creating a really tight knit (or close knit) which creates a wind and somewhat waterproof protection against the elements. The intricate patterns often concentrate towards the upper part of the garment around the shoulders, arms and chest and are often made reversible so they can be worn either way around prolonging the wear of the Gansey before it needs repair.
As the bottom half of the Gansey suffered most wear and tear it was often left plain so the lower body, cuffs, and the plain of the sleeves could easily be pulled out and re-knitted. The sleeves were often rather short so that the cuffs didn’t get caught or stay permanently wet when the men were fishing. The traditional fisherman would wear a Gansey next to the skin with the addition of a pure silk scarf to stop chaffing around the neck. This would also create a seal to keep in heat. The Gansey would also come in to play when a Fisherman was out of work. To denote this he would turn up the bottom of his Gansey to let other Captains know he was approachable for hire. The turned up section also doubled as a handy pocket later adopted to keep their tobacco and matches.
There are many Gansey patterns, often depicting fishing related iconography such as anchors, cables, and diamonds (nets) and some included weather and land influences, from lightning strikes and hail to furrows and the harvest. Many fishing and port towns around the North East coast had their own unique styles (which often came in handy when identifying drowned seamen). The most popular styles still available include Staithes, Runswick Bay, Whitby, Robin Hoods Bay, Scarborough, Filey, Flamborough, Patrington, and Humber Keel.
I decided to go for the Whitby Gansey as I loved the ‘half and half’ design, which covers the chest and upper arms with patterning and leaves the lower half plain. I also plumped for a denim knit which is untraditional, but lighter and should see me in to the late spring/early summer without being too warm. The denim wool is naturally died with indigo and like a good pair of jeans will naturally wear lighter over time. Each Gansey is made to measure and takes 6 to 8 weeks to hand knit and you can pick and choose your own specifications. I went for a fully traditional crew neck and plain ribbed cuffs and hem. If possible, I would recommend going to get measured up and talk in person about your requirements, but if you can’t then the place I bought mine from (details below) do an excellent mail order service.
I can’t think of a garment that’s going to look better with this beard I’m growing. Next step: take up full time pipe smoking.
Where to buy:
For a fully traditional Gansey
For the Denim or a looser knit Gansey
Look out for Mr Ian Mouzer’s forthcoming bicycle maintenance and repair blog: Theworkstand.com
It’s July. It’s 30°C outside (OK, not in London, but somewhere). There’s no air con inside. You’re at work. It’s muggy. Really muggy. And you stink. Or rather, you don’t stink… your jeans stink. The jeans you bought in February. A pair of A.P.C. New Standards. Raw denim at it’s mid priced finest. You wore them through the back end of winter. They saw a few showers and some puddles. A bit of snow too. Carried on through Spring. Sweated it out in them on the bank holidays in May. And now it’s getting to crunch time in July… it’s the raw denim precipice. They officially started to smell in June for sure, but it’s breaking point in July and you shouldn’t have worn them today. Forecast looked shitty. Who knew it would get this hot?
Face it. It’s time to wash them. And they will never… be the same… again.
My technique used to be to wash them with a glass tumbler full of salt that I mixed with a touch of detergent and some boiling water to dissolve the salt. I mixed it all up in to a thick paste and put this in the machine with the jeans. Then I’d wash them on a delicate setting. The results were always pretty good.
I had a mate who used to wash his in the sea. He’d go swimming at the beach in Douglas in them. I once overheard the lads at OiPolloi talking about baking them in the sun on the bonnet of a car once you’ve washed them cold. This would effectively get the proper stiffness back in to them.
All good techniques, but do you know what? Fuck it! I for one have wasted too much of my life attempting to preserve raw denim. Being terrified of washing them for the first time because they’ll never be the same. They’ll never be that rich grey-inky blue again no matter what you do. If you’ve been wearing them for a month solid, face it, they’re already ruined. The knees have started to go by that point and you’ve already made your first impressions on them.
The turning point in my attitude towards raw denim came about a year ago in A.P.C on Dover Street. An attractive young French lady was guiding me through the denim selection process when I mentioned something about the jeans I had on. She really loved the almost stone washed finish and asked where I’d bought them from. She was nearly sick down herself when I told her they were A.P.C. New Standards. They were three years old at that point, had been worn every other day and were still hanging tough at the crotch. Then her questioning followed; how did I achieve such a faded look? Did I rub anything on them to distress them? What were my washing techniques? Which detergents did I use? What temperatures had I been washing them at?
I shared my secret her. I stopped trying to preserve them when I got a second pair. My focus was put in to preserving the new pair and I started to wash the old pair normally… like the rest of the world washes their jeans (sometimes even at 40°!). Like your Mum washes your Dad’s jeans. I washed them regularly too. Like other clothes. After a few wears or when they were getting a bit ripe I didn’t hesitate to get them in the machine. It was as if I’d told her the world wasn’t flat.
Once she got over the startling discovery and I’d recovered from a French girl getting excited about my pants, I realised that this was a pivotal moment; no more would I painstakingly wash my raw denim like a nutter, because they also look ace when they’ve turned in to your Dad’s jeans (and French girls dig ‘em). From this point on it would be a race to the stone washed finish line.
Another important point for me is that these jeans in particular are a utility purchase. They look good with everything and I love ‘em, but they’re not a defining aspect of an outfit and so I figure they don’t deserve the time I used to waste on them. I have cords and chinos that can ‘make’ outfits, jeans just don’t deliver on this level.
I’m sure I’ve now pissed off many denim connoisseurs and aficionados and this is just my own view, but I think there are more important parts of my wardrobe that deserve the attention once wasted on jeans (e.g. shoes). I feel free now I’m happy to let my jeans fade away (and look all the better for it). I implore you too, to embrace the fade.
I was very excited to find this article about darning denim (from ajchen.com) at Self Edge NYC. I didn’t even realise this was something that was possible. I have a pair of A.P.C. New Standards that I’ve worn (over the course of four years) to a really nice, beaten up, faded state, but wear and tear at the crotch has made them too obscene to wear anymore (nobody wants to see you ‘come free at the side’).
Unfortunately it looks like they don’t accept mail-ins, so I’ll have to wait ’till my next trip to NYC to drop them in, but it’s good to know there could still be a future for my favourite pair of jeans.